|
  |
Christian Schwartz has partnered with Paul Barnes to form Commercial Type, a new type foundry based in London and New York. Please click here to visit our site.
RETAIL FONTS
Commercial Type:
Austin
Duplicate Sans (NEW)
Duplicate Slab (NEW)
Giorgio
Giorgio Sans
Graphik
Guardian
Local Gothic
Publico
Stag
Stag Sans
Stag Sans Round
Stag Stencil
Emigre:
Los Feliz
Font Bureau:
Amplitude
Farnham
Fritz
Pennsylvania
FontFont:
FF Bau
FF Meta Headline
FF Meta Serif
FF Oxide
FF Unit
FF Unit Slab
House Industries:
Casa Latino!
Luxury
Luxury Text
Neutraface
Neutraface Condensed
Neutraface No. 2
Neutraface Slab
Simian
Linotype:
Neue Haas Grotesk
CUSTOM FONTS
UNFINISHED WORK
EARLY WORK
ABOUT
|
|
|
2009. Designed by Kai Bernau. Production and design assistance by Susana Carvalho. Consultation and advice by Christian Schwartz. Lyon Text is available from Commercial Type.
Originally designed as Kai Bernau's degree project at the Type]Media program at the KABK in the Hague, this typeface caught my eye as soon as I saw it. Having drawn a number of revivals, I was really impressed with the way Lyon simultaneously takes a serious approach to history (16th century typefaces by master punchcutter Robert Granjon), but reflects an up-to-the-minute contemporary approach to digital type design, somehow making this difficult combination of elements look effortless on the page - no doubt informed by Kai's work as a graphic designer and especially as a book designer, with his wife and partner Susana Carvalho. You can read more about Kai's process at Atelier Carvalho Bernau. Paul and I are extremely happy to be publishing Lyon as the first Commercial Type release by an outside designer.
Lyon Text made its public debut in the New York Times Magazine in June 2009. Lyon Display was released in June 2010.
Regular, Regular No. 2, Semibold, Bold, and Black weights, with italics, in Text size.
All Text styles include small caps, fractions, ordinals, case-specific punctuation, and both proportional and tabular lining, oldstyle and small-cap figures. Italic styles include a number of alternate forms.
|
|